摘要
中国现当代文学及对它的研究,其历史背景和文化语境应该是整个20世纪。60年的研究又可分为前30年和后两个15年。在这三个时期中,中国现当代文学研究,经历了由社会政治化范式向精神文化化范式再到个体审美化范式的转变,这从鲁迅研究和中国现当代文学史的编撰中可以看出来;而新的问题意识的生发,则是在现实学术需求中发展诸种范式的关键所在。
The entire 20th century is said to be the historical background and the cultural context for modem and contemporary Chinese literature as well as its studies. The sixty years of studies can be classified into three phases--one early phase of 30 years and two later phases of 15 years respectively, during which modem and contemporary Chinese literature studies has transformed from the sociopolitics-oriented paradigm through ideology-and-culture-oriented paradigm to the paradigm of individual aesthetics, as is evident in studies on Lu Xun and in the compilation of the modem and contemporary Chinese literary history. The rise of awareness of new issues is the very key to the development of various paradigms in practical academic interactions.
出处
《海南师范大学学报(社会科学版)》
2009年第5期5-9,共5页
Journal of Hainan Normal University(Social Sciences)
关键词
历史语境
文化变迁
范式转换
问题意识
学术创新
historical contexts
changes of culture
transformation of paradigms
awareness of issues
creativeness in academic transactions