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话语重构:1990年代以来革命历史剧的主旋律叙事 被引量:3

The Reconstruction of Discourse:The Narrative Strategy of the Mainstream TV Dramas on Revolutionary History since the 1990s
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摘要 历经半个多世纪沉浮的革命历史题材文学作品,在1990年代以来这个中国社会深刻的历史转折时期,以非纸质媒介——电视剧的文本形式,再次清晰地呈现于文化视野中,成为当代文学艺术领域的重要现象。在政治意识形态话语和市场消费话语的"共谋"、"冲突"和"妥协"之中生存和发展的革命历史题材电视剧,不论是在主题意识及其阐释方式,还是其文本形态和发展策略上,都体现着与以往不同的时代特征,是"革命"话语在时代语境巨变中的重构与重述。 Over the period after the 1990s, when China has undergone profound historical and social changes, the literary works on the theme of revolutionary history that has witnessed ups and downs for more than half a century have reappeared clearly in the cultural field via the non-paper medium-the text of TV dramas, forming an unavoidable phenomenon in the contemporary literature and arts. The TV dramas, living and developing in the conspiracies, conflicts and reconciliations between the politico-ideological and the consumerist discourses, bear the characteristics of the new historical period and differ from their predecessors not only in their understandings of the themes and narrative strategies but also in the genres of the text and the development strategies. They are the revolutionary discourse reconstructed and re-narrated in the contemporary context.
作者 张红军
出处 《南京师大学报(社会科学版)》 CSSCI 北大核心 2009年第6期122-127,共6页 Journal of Nanjing Normal University(Social Science Edition)
关键词 革命历史题材电视剧 话语 主旋律叙事 TV Dramas on the theme of revolutionary history discourse narrative of the mainstream theme
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