摘要
中国装饰艺术在发生期和发展初期深受自然环境的限制,走上依靠本土资源的独立发展道路,并因此形成独特的民族个性和艺术样式。而中原文化核心的形成,并长期发挥中心和凝聚作用,是中国装饰艺术保持民族特色的重要因素。但中国装饰艺术的独立发展并不排斥中华各民族间交流的促进作用,只是这种"近亲杂交"难以持久,不可能动摇中原文化的核心,也难以改变中国装饰艺术的特质。
During its starting and developing periods,the decoration art of China was limited a lot by the natural environment,so it went on the way of devel-oping independently but only rely on the local resource,and thus formed its unique national characters and artistic manner.But the essence of central culture came into being and worked as the coherent center for long,which was a significant element for the deco-ration art of China keeping its national character.Its independent development does not exclude the pro-motion coming from the communication among each of the nationalities in China,but just that this kind of 'crosbreed among close relatives' cannot last long,cannot shake the kernel of the central culture,and is hard to change the particularity of the decoration art of China.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2009年第6期42-46,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
2008年国家哲学社科艺术学项目"中国装饰艺术史"[08BF44]阶段性成果
关键词
中国装饰艺术
相对封闭
独立发展
基础
relatively closed,China's Mainland,decoration art of China,develop independently,foundation