艺术史研究中的审美批判——从古典审美到罗杰·弗莱的形式主义批评和阿波利奈尔与立体主义观念

Aesthetic Criticism in Study on History of Art——From the Classical Aesthetic to Roger Fry's Formalism Criticism and Apollinaire and Concept of Cubism

马奈的出现预示着古典审美传统的中断。罗杰.弗莱的形式主义批评是针对后印象派画家尤其是塞尚而言。后印象主义发展了罗杰.弗莱的形式主义美学的一般观念,其作为后印象主义理论批评家的声誉建立在对塞尚的研究之上。塞尚之后的立体主义教父是阿波利奈尔,阿波利奈尔在变化的风格中不断调整自己的立场,他的关注和批评,使立体主义成为一种可能。

The emergence of Manet indicates the interruption of classical aesthetic tradition. Roger Fry＇s formalism criticism is aimed at the Post-Impressionist painter, especially, Paul Cezanne. Post-Impressionist developed Roger Frye＇s general concept of aesthetic formalism. The reputation as a critic of Post-Impressionist theory was based on the research on Cezanne. After Cezanne, the godfather of Cubism is Apollinare. Apollinare adjusted his position in continuously changed style. His concern and criticism made Cubism possible.