摘要
方法与观念贯穿美学探究的始终。缺乏方法,美学观念的新思维难以可能;局限于方法,缺乏观念的原创,美学势必丧失理论活力。因此,方法与观念的相辅相成必然成为当代美学的逻辑选择。唯如此,美学才可能积聚理论创新的势能,促使审美之思的多元化和精神文化的差异性成为可能。从这个理论视角考察,在精神文化的活动空间,遵循方法与观念相统一的逻辑原则也就意味着美学符合人文科学的主观与客观相统一的目的性。在目的论意义上,美学方法和观念的更新,必须呈现在历史感和批判意识相互联结的结构之中。
The methods and ideas are constituents which complement each other through the study of aesthetics. Without the methods, the new ideas are hard to emerge. On the contrary, depending method too much or without new ideas and new words, aesthetics would lose vitality of theory. So, in the study of aesthetics, the methods and ideas must complement each other. And then, theoretical in- novation would happen, study of aesthetics would be diversified. In the spirit area, the logical princi- ple of the methods and ideas combining could be equal to the subjective and objective being unified. At last, only when we have the historical consciousness and critical consciousness, aesthetics methods and ideas could be renewed.
出处
《学术月刊》
CSSCI
北大核心
2009年第11期98-104,共7页
Academic Monthly
关键词
方法
方法论
观念
美学
method, methodology, idea, aesthetics