另一种“宏大”:《狼图腾》的叙事模式和叙事策略

Another Kind of "Greatness":the Narrative Mode and Narrative Strategies in The Wolf Totem

《狼图腾》摒弃所谓的"知青文学"之"宏大",在一个更高、更大的创作视野中进行一种小说化的文学、文化、历史、哲学探求;它构建一种非"文"(文学)非"理"(事理)的叙事场,采用永久性阐释空缺这样一种智性的叙事策略,选择一种多视角自体内视的叙述角度,打造一种瓦解"逼真"的宏观叙事环境。它的文学眼光穿过历史隧道,聚焦于知青时代和内蒙额仑草原,文化历史生成为这里的宏大背景,生态小说意识成长为一种文本现实。

The Wolf Totem abandons the so- called ＂greatness＂ of the ＂educated youth literature＂, probes into creating a novelized literature, culture, history and philosophy in a higher and larger creative vision. It sets up a kind of non - literature and non - reason narrative field in a reasonable narrative strategy by adopting permanence to explain the empty, chooses a kind of many - angled view to narrate from one＇s mind and creates a disintegrating ＂lifelike＂ grand narrative environment. Its literature vision penetrates the historical tunnel, focuses on educated youth age and the E Lun Steppe in Mongolia. Culture and history have become the textural reality for the growth of the ecological novel consciousness with the grand background here.