摘要
虽然朱光潜曾对立普斯的"移情说"作过一些批评,但他总体上接受了立普斯"移情说"的观念方式,并试图用"移情"来解释王国维的"有我之境"。朱光潜认为,"有我之境"是移情作用参与其中的艺术境界,而"无我之境"则没有移情作用,是诗人于冷静回味中得来的。他还认为移情是艺术思维、原始思维和儿童思维的共同特点。然而,当朱光潜对立普斯、王国维进行批评时,其论证上的脆弱和矛盾却提示了"有我之境"和"无我之境"都只能用感应而不是移情来说明。
Although Professor Zhu Guangqian somewhat criticized Theodor Lipps' "empathy", he accepted Lipps' idea about it on the whole. Further, he attempted to interpret Wang Guowei' s "ego-involved realm" through empathy. He thought that the "ego-involved realm" was nothing but an artistic realm in which empathy participated, while in the "ego-absent realm" there was no empathy and the realm was simply imagined by poets in their calm recollections. He also believed that empathy was a common trait of artistic thinking, primitive thinking and children's thinking. However, the weaknesses and contradictions in Professor Zhu's remarks on Lipps and Wang Guowei just revealed that both the "ego-involved realm" and "ego-absent realm" can only he interpreted by resonating instead of empathy.
出处
《东北大学学报(社会科学版)》
CSSCI
北大核心
2009年第6期555-560,共6页
Journal of Northeastern University(Social Science)