生命力的张扬——尼采美学的核心

Encouraging life vitality——the core of Nietzsche's aesthetics

尼采是在对资本主义的异化社会特别失望之后,以价值重估的否定现实社会的态度,用权力意志去否定当时统治阶级的思想道德,以至亵渎宗教的神圣,张扬人的战斗的生命力,并以此作为他对待美与艺术的核心思想。他与叔本华先后从对现实失望的同一起点上出发,他用的却是反悲观主义的进取态度,但殊途同归于以个人意志去反抗现实的失败,他的思想价值在于提供了向陈腐世界进行生命抗争的起点,但后代接受者走向的道路却多有不同。尼采的书可以成为各路不同抗争者的启示录,上帝死了,作为死去的哲人,他却在"死后出生了"。

After disappointed with the alienated capitalist society, with attitudes of value reevaluation and negating real society, Nietzsche negates the thoughts and morals of ruling class of that time by power will to the extent of profaning the holiness of religion and encouraging the vitality of human, and takes this as core idea for beauty and art. Both Schopenhauer and Nietzsche start from the disappointment with the reality, Nietzsche takes a positive attitude of anti- pessimism,but they all failed in resisting the reality with individual will. Nietzsche＇s idea value lies in providing a starting point to struggle against the hackneyed world,but the ways his successors take and lead to are different. Nietzsche＇ works may be the apocalypse for them,god is dead,as dead philosopher he gets rebirth.