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审美、非审美、审丑并存之研究 被引量:2

Study on coexistence of aesthetics,non-aesthetics and tasting ugliness
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摘要 中国当代文化语境下,广义的审美向度呈(狭义)审美、非审美、审丑多元并存的局面。狭义审美中,受传统文化语境影响,主张精英作为典型形象。这对塑造本土精英形象,打造中国文化形象具有巨大的文化意义。非审美,受后现代主义影响,主张消解中心主义,提倡对他者的关注。非审美将审美对象非审美化,提高了民众对于非中心话语的关注,并推进大众对他者由关注走向关怀。审丑,是中国当代艺术精神的表现,具有明显的当代性,体现了艺术家对中国当下文化命运的关注,批判意识强烈,同时,通过对丑的批判也有效地提高了民众的参与意识,共同改善中国在全球化语境的文化形象。 Under contemporary Chinese cultural context,broad aesthetics shows the coexistence of (narrow) aesthetics,non - aesthetics and tasting ugliness. Narrow aesthetics, impacted by the traditional cultural context, holds that takes elitist as typical image. This has huge significance to create native elitist image and build Chinese cultural image. Non -aesthetics, impacted by the post- modernism,holds that de -constructs the centralism and advocates the attention on the others. Non - aesthetics makes aesthetics object non - aesthetics, enhances the public' s attention on non - central speech, and promotes public turn to care the others from attention. Tasting ugliness is the representation of contemporary Chinese art spirit, has obvious contemporary characteristic, shows the artists' attention on present Chinese culture destiny, criticism awareness is strong, meanwhile advances effectively the publics' participation awareness by criticizing ugliness, and improves jointly the Chinese cultural image in globalization context.
出处 《沈阳工程学院学报(社会科学版)》 2009年第4期452-454,共3页 Journal of Shenyang Institute of Engineering:Social Science
基金 国家教育部人文社会科学基金规划项目(07JA760009)
关键词 审美 审丑 非审关 aesthetics tasting ugliness non - aesthetics
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参考文献3

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共引文献52

同被引文献4

  • 1梁玖审艺学[M].南昌江西美术出版社,2008.
  • 2万书元.艺术美学[M]{H}北京:高等教育出版社,200610.
  • 3杨生博;王刚.艺术美学概论[M]西安:人民美术出版社,2012.
  • 4彭吉象.艺术学概论[M]{H}北京:北京大学出版社,2006.

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