摘要
潮尔大师色拉西先生在演奏中对多声部(低音)的运用手法具有鲜明的风格特征和艺术表现力,他对低音的运用并非从始至终一贯到底的简单使用,而是根据不同民歌所表现的不同思想内容、不同音乐形象采用不同的处理手法,特别是对不协和音程的运用理念及其结构原理,具有较高的学术研究价值。
Multi-voice-part technique of Mr.Se Rashi′s Choir playing Has its distinct style and artistic expression.His use of the multi-voice-part technique is not a simple consistence from very beginning to the end,but is according to different folk songs shown by the contents of different ideas,different music,different handling of the image,especially in the use of the theory and structure of cacophony,and it has the higher value of academic research.
出处
《内蒙古大学艺术学院学报》
2009年第3期28-30,共3页
Journal of Art College of Inner Mongolia University
关键词
色拉西
潮尔
演奏风格
低声部用法
Se Rashi
Choir
playing style
Multi-voice-part technique