摘要
研究中国传统文化与20世纪中国文学的关系,前人主要关注精英知识分子创造的思想文化传统,相对忽略渗透在日常生活中的民间传统。对故土文化传统的难了之情,使得山东现代作家在五四偏激地否定传统文化的高潮之后,又较早地关注故土文化的可利用价值。来自故土文化的创作素材和母题填补了他们文学资源的空虚,凸显了他们的创作个性,但也制约了他们的开放和创新。
Researching the relationship between traditional Chinese culture and the 20th century's Chinese literature,the former mainly focused on the traditional ideology and culture created by outstanding intellectuals and ignored the folk traditions penetrating the daily life.Shandong modern writers were so attached to their native land culture that they turned their attention back to the value of their native land culture much earlier after they radically denied the traditional culture during the May 4th Period.The creating materials and motifs from native land culture compensated for their lack of literature resources,gave prominence to their creating individuality,but also restrained their opening and innovation.
出处
《理论学刊》
北大核心
2009年第11期115-120,共6页
Theory Journal
关键词
故土文化
现代
传统
山东作家
得失
native land culture
modern
tradition
Shandong writers
gains and losses