摘要
以"形"与"质"的关系为线索,梳理出"五四"时期中国现代诗学的三大诗学指向:一是主情主义的一元论诗学;二是侧重诗形兼有神秘色彩的象征派诗学;三是形质合一的唯美派诗学。勾勒出在形质关系力驱动下中国现代诗学演进的大致轮廓。
Starting with an analysis of the relationship between form and content the paper makes a meticulous study of relevant history of poetics and straightens out three main orientations in modern Chinese poetics during the May Fourth Movement, namely the unitary poetics with emphasis on emotionalism, the symbol poetics with emphasis on poetic form and mystery, and the aesthetic poetics with emphasis on both form and content. In the end the author outlines the evolution of modern Chinese poetics driven by the interaction between form and content.
出处
《宁波大学学报(人文科学版)》
2009年第6期34-38,共5页
Journal of Ningbo University:Liberal Arts Edition
关键词
形与质
现代诗学
驱动机制
form and content
modern poetics
driving mechanism