“面短而艳”——张僧繇人物画面相模式探微

"Face short-yan"-Zhang Sengyao portrait Exploration of facial patterns

南北朝晚期至隋唐初期的佛教石窟中,"秀骨清像"风格的造像却开始悄然隐退,张僧繇在进行绘画创作时,将佛教题材和技法进行创造性的运用和改造,创制形成了独具一格的"面短而艳"的"张家样"佛像。对后世的绘画艺术发展产生了深远的影响,也成为了艺术发展和艺术创新的重样本。

Southern and Northern Dynasties to the Sui and Tang Dynasties Late early/3uddhist caves, the ＂bone-ching show like＂- style statues began to quietly retreat, Zhang Sengyao during painting, it will be the Buddhist themes and the use of creative techniques and transfonnation, create form stylized face ＂short-yah＂ and ＂Chang-like＂ statues, Painting of the later development of the arts had a profound influence on the arts has also become an important development, and artistic innovation samples.