影片《英雄》的修辞论解读

On the Movie Hero from the Rhetoric Point of View

从修辞论的角度重读影片《英雄》,可以发现张艺谋艺术追求上的一个明显转变——即从"变叙事"和"寓言体"向"大叙事"和"象征体"的回归。而引发这一转变的动因,则是当代意识形态的现代性焦虑。这是一种西方文化和传统文化双重影响下的矛盾心理,影片运用艺术手法为缝合这一心理缝隙提供了一个想象性的修辞方案,但依然还是露出了力不从心的缺口。

To view the movie Hero from rhetoric point of view, an apparent change can be observed in Zhang Yimou＇s artistic pursuit, which is a returning from moving narration and allegory style to grand narration and symbolism style. The cause of this change is the modernity anxiety of contemporary ideology, which is ambivalence under the influence of western culture and traditional culture. The movie provides an imaginary rhetoric plan to fill in the. psychological gap by using artistic methods, however some cracks can still be found due to the helplessness.