形而上之诗学和人之戏剧-马拉美诗学与戏剧观

Metaphysical Poetry and Human Theatre:Mallarmé's Poetry and Theatre

在马拉美不多的文学创作中,三部戏剧作品《希罗底》、《牧神》与《依纪杜尔》占据了重要的位置。马拉美戏剧创作的生命力在于他真诚地吸收了20世纪之前、也许是有史以来最为经典的戏剧创作——莎士比亚的作品,同时又以自己的诗学为出发点,揉以形而上美学的思考,划出了一道以时代为背景、又超出时代维度的流星轨迹。这可以说是其戏剧观之现代性的一个体现。

Among Mallarmé＇s few literary creations, Hérodiade, Faune and Igitur occupy a very important place. The vitality of Mallarmé＇s drama comes from his study of the most classic theatrical thinking in Shakespeare＇s works. And at the same time, he takes his own poetry as a starting point, combining theatre with metaphysical aesthetic thinking in his theatrical works, to dramatize his times.