浅谈后现代主义哲学与后现代主义戏剧

The Imprinting of Postmodernism Philosophy on the Mapping of Post-modernism Drama to Postmodernism Philosophy

后现代主义是一个时代极具影响力及思维特性的西方哲学思潮。它所突显出的"否定"、"超越"、"非主流"的哲学特征深刻的影响了社会各个领域。后现代主义戏剧就是在这种思潮的影响下应运而生,打上了"逆主流而行"的烙印,并迅速膨胀,充斥着当时的整个戏剧领域。从后现代主义思潮到后现代主义戏剧正是思想渗透艺术形式的过程。本文从后现代主义哲学中的文化哲学出发,在探讨其本质特性的同时揭示了这种思潮在后现代主义戏剧中的映射,并从后现代主义戏剧中找到了这种特性的延伸。

＂Postmodernism＂ appeared in the mid-20th century, which is an era＇s western philosophy of most influential and thinking characteristics. It highlighted the ＂negative＂, ＂beyond＂, ＂non-mainstream＂ features and gave a profound impact on the philosophy of social existence of the various categories of ideas, but also the Western dramatic art. Post-modernist drama came into being under the influence of this trend of thought, marked with a ＂reverse mainstream line＂ of the mark, and expanded to the entire theater rapidly. From the post-Modernism to post-Modernism drama art form is the process of the ideological permeation. In this process, the direct spread of the ideological field deep into a specific art form, with a direct dominant feature. This paper will focus on the post-modern philosophy of the cultural philosophy of departure, at the same time to explore the essential features of this trend revealed in the post-modernist drama and found the extension of this characteristic.