戏剧意象论

On Drama Image

意象,作为一个诗学与美学的本体范畴,同样适用于戏剧艺术。意象贯穿于戏剧创作与接受的多个层面。它既属于戏剧家的编演创造的产物,又属于戏剧观演之间审美交流的结果。戏剧意象,既有着鲜活的舞台体现,更蕴涵在具体的观演体验当中。因而,它既可以呈现为各种舞台上的"直接意象",也可以表现为观演体验中丰富的"间接意象";既可以是剧作与表演中的具体意象,也可以是一种诗性的总体意象。惟其如此,戏剧编演中意象的营构和把握也就成为其审美创造的核心和关键所在。

As an ontological category in poetics and aesthetics, the concept of image is also applicable to arts of drama. Images are reflected in various stages in drama creation and reception. They are not only a product of dramatists but also a result of the aesthetic exchange between the audience and performers. In other words, drama images are presented lively on the stage but are also implied in specific viewing - performing experiences. Therefore, there exist diverse ＂direct images＂ on the stage, and rich ＂indirect images＂ in watching experiences. They can be specific images in play writing and performances as well as general poetic images. Therefore, the construction and grasp of images becomes the core for aesthetic creation in drama production and performance.