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论娱乐型探索戏剧 被引量:1

Discussion of the Entertainment Exploratory Drama
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摘要 在20世纪80年代戏剧探索大潮中诞生的娱乐型探索戏剧,有其戏剧本体历史发展的必然性和社会变革、文化语境更易的直接现实原因。探索型戏剧的主要特征是以观众为着眼点,运作方法市场化,以娱乐、休闲为指归,寓教于乐,乐教兼得,更加强了多种姐妹艺术的综合,载歌载舞,美听美视,在演出形态上首创环形特大剧场全方位舞台,别开生面,气势恢宏。娱乐型探索戏剧演出的巨大成功证明了娱乐戏剧的文化和商业双重效益的丰收,它为戏剧苑囿提供一个顺应时代审美需求的新的品类,预示着未来发展的可乐观前景。 The entertainment exploratory drama that starts in drama exploratory tide in the 80's has it's inevitability of the historical development of Ontological theater and the direct practical reasons of social changes and cultural context ahernation. The chief characteristic of exploratory drama is to focus on audience, market - oriented operation, orientates itself ultimately towards entertainment and leisure, teaches through lively activities, and strengthen the comprehension of a variety of sister arts. In the form of performance, it singing and dancing on all- round big theater stage, special and momentum. The great success of entertainment exploratory drama proves the harvest of double cultural and commercial benefits of entertainment drama. It provides the drama garden for one new category which goes with Aesthetic needs of times, and indicates the optimistic prospects for future development.
作者 宋毅 宁殿弼
出处 《文化艺术研究》 2009年第2期133-139,共7页 Studies in Culture and Art
关键词 娱乐型探索戏剧 娱乐功能 通俗戏剧 商业戏剧 市场化运作 the entertainment exploratory drama entertainment function popular drama commercial drama market-oriented operation
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  • 1陈欲航.从《搭错车》到《走出死谷》[J]剧本,1988(04).
  • 2张庚.谈谈戏曲现代戏的成就、不足和经验——在中国戏曲现代戏研究会1982年年会上的发言[J]剧本,1982(12).
  • 3李泽厚.中国古代思想史论[M]人民出版社,1986.

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