论艺术人类学视野中的盘瑶神像画

Anthropological Art Interpretation of Yao Ceremonial Paintings

从艺术人类学的视角出发,盘瑶的神像画是盘瑶画师在宗教力量的驱使之下所绘制的仪式用画。神像画是盘瑶人信奉的符号象征体系,是盘瑶道师在盘瑶社区内宗教地位的体现,画师坚持绘制神像画实际上是对瑶传道教信奉的崇信。同时,神像画也是盘瑶人宇宙观念的体现,在盘瑶社区生活中,盘瑶神像画还具有社区整合的功能,起到促进盘瑶社会和谐的作用。

From the perspective of art anthropology, The ceremonial paintings are rite from paintings drawed by the artists who drivened by the power of religion, the ceremonial paintings are a series of symbol system, it is the evidence that people recognize and respect the PanYao Taoist religion. The artists insist in drawing the ceremonial paintings because they believe The Yao taoism. At the same time, the ceremonial paintings also express the conception of worldview and cosmological. In PanYao community, this also have the function of synthesizing community and keeping social harmony.