错置的“困境”──对《疯狂的赛车》的剧作分析

"Plight" of Dislocation──A research on script-writing of Silver Medalist

仅依靠单个喜剧原素展示和简单"连缀"来发展电影故事,而不依靠困境与需求作为叙事动力,是忽视剧作规律的表现。"赛车"呈现出港片经验的弥漫──重噱头轻叙事。

It is to ignore the laws of the performance of plays when a script does not rely on the role of psychological needs and plight. Silver Medalist shows a diffuse of the experience of Hong Kong films：preferring modeling gimmicks to narrative law.