论启功的书法美学观

Research on Qi Gong's View of Chinese Calligraphy Aesthetics

启功先生在《论书绝句》及其自注、《论书随笔》、《论书札记》中论述了书法的"形质"和"神彩",他对笔法、墨法、笔画、结字、章法进行了深入浅出的分析,富有启发性,其中关于楷书结构中的"黄金律"是他的重大发现;在探讨入帖与出帖,书者性格、品德、年龄、心态与书法作品之关系时,他结合自己的学书经验,提出了许多宝贵的见解;他崇尚天真自然之趣,赏爱碑帖中的优美文辞,认为书法审美中存在着主观随意性。

Mr. Qi Gong elaborated on the forms and flavors about Chinese calligraphy among Quatrains about Chinese Calligraphy and his annotations, Essays about Chinese Calligraphy and Notes about Chinese Calligraphy. He carried on profound and detailed analysis about the method of using writing brush and changing the color of ink, the strokes, the structure of Chinese characters, the layouts of whole works, which was instructive, and his view on golden section of regular script structure was a significant discovery. Associating with his own experiences on studying Chinese calligraphy, he offered many precious opinions when he discussed the relations between studying rubbing and getting rid of it and among the calligraphers＇ disposition, personal character, age, point of view and their calligraphy works. He advocated the interest of naive nature, and he enjoyed the exquisite languages of Stele inscription and then he thought that one has his own subjective capriciousness when he enjoys Chinese calligraphy.