摘要
钱钟书《围城》的创作与其文艺观有诸多相似之处,可以相互印证其价值观和美学理想,其学术和创作可谓殊途同归。《围城》是《管锥编》、《谈艺录》等学术著作中所体现的文艺观在创作领域的反映,为鸟之两翼,可以相互佐证;《围城》体现了其主张的"以俗为雅,以故为新"的写作风格;《围城》中的婚姻观与钱钟书对于写景的"若即而离",其价值观和美学理想是一致的。
Qian Zhongshu' s Fortress Besieged reflects his artistic philosophy, which is the example of his view of value and aesthetics. From Fortress Besieged, we can see his artistic philosophy in Limited Views:Essays on Ideas and Letters and On Ancient Literature. Fortress Besieged reflects his idea on writing style "vulgar as elegance;old as new" ,and the marriage view in the story accords with his value and aesthetic ideal.
出处
《哈尔滨学院学报》
2009年第12期47-49,共3页
Journal of Harbin University
关键词
钱钟书
《围城》
文艺观
比较
Qian Zhongshu
Fortress Besieged
artistic philosophy
comparison