超越与返实:船山情感论的二重向度

Surmounting and Returning to the Real: the Dual Tendency of Chuanshan’s Emotion Theory

船山情感论存在二重向度。其超越性是以"性"为根底,以"大其心"、"充其量"、"存养"为路径,完成对俗情、淫情、"成心"的超越;其"返实"之向度,主要是向"实学"和"事功"的归依,具有体用、虚实特点;二重向度的关系是辩证统一的。在本土意识和时代意识的审察下,二重向度所呈现的超越性及实学精神给人以丰厚的美学启迪:其一,为扭转美学理论界虚无主义倾向提供了依据;其二,有可能解决当代美学审美化如何"化"的问题,弥补日常生活审美化进程中道德的缺失;其三,可以建构诗性和谐心理,增强国家的软实力。

There is the dual tendency on the Chuanshan＇s emotion theory. The surmounting founded the disposition has transcended the vulgar Emotion, the stagnate Emotion and the ＂Chengxin＂ with extending horizons, spiritualizating the soul. The returning to the real tendenting the practical idea and the utility has characteristic of the the ＂Ti＂ and ＂Yong＂ of philosophy. The dual tendency of Chuanshan＇s emotion theory is dialectical and has abundant aesthetic Implication.