从《离骚》看屈原对中国文学悲剧精神的开创性

A View of Qu Yuan’s Creativity in Chinese Literature Tragedy Spirit from Lisao

屈原以《离骚》开启了中国文学真正意义上的悲剧精神,在屈原之前中国文学的悲剧精神包容在浓厚的忧患意识当中,有自身的特征:柔韧、零散、中和。《离骚》作为一篇血泪之作,主要矛盾中凸现悲剧精神:美政理想与残酷现实的矛盾;"致君尧舜"与"哲王不寤"的冲突;矢志不随俗的决心和恋国不去国的坚定。《离骚》以情感的矛盾和冲突显示屈原对中国文学悲剧精神的开创性。

Qu Yuan had started the tragedy spirit of Chinese literature in its real meaning with Lisao. The Chinese literature tragedy spirit, which has had its own characteristics： pliable, scattered, neutralization, have been contained in deep misery consciousness before the period of Qu Yuan.Lisao, as the works of blood and tears, presents clearly the tragedy spirit in the principal contradiction： the contradiction of ideal political and cruel real; the conflict of ＂to be like monarch Yao and Shun, ancient sages＂ and ＂the wisdom king do not awake＂; the detelanination of pledging his devotion to refuse to comply the convention and loving country and never get rid of national firming. By such contradiction and conflict with emotion, Lisao shows that Qu Yuan creates the vigorous start of Chinese literature.