传统的两面——以巴托克音乐中的和声思维为例

To Discuss the Harmonic Thinking Pattern in Barttok’s Music

本文以巴托克和声思维研究为出发点,通过分析巴托克和声思维的基本特征,探寻作曲家在创作过程中是怎样将民族民间音乐传统整合于个性化的音乐形式之中,进而思考在当代中国音乐创作中对传统观念内在认知的缺失,提出应更加关注传统成果背后的创造精神,关注传统成果的现代意义,使音乐传统的创造性传承在复杂多元的社会发展过程中呈现良性循环的发展态势。

Starting form the harmonic thinking pattern of Barttok, making an analyzing on its basic traits, the author tries to probe, into how Barttok penetrated the national music elements into his music, in hopes that, in Chinese music creation, composers could draw lessons from his experience.