摘要
阿多诺反对美的终极性的本体论式定义,主张艺术和美的开放性;其艺术的谜语特质理论致力于自然的"返魅";其模仿理论倡导有机自然观,认可自然的本源生命力的自在存在,主张人与自然的主体间性。随着后现代思潮的深入和当代中国文化现代性的发展,阿多诺的美学将会获得越来越多的眷顾并成为当代中国美学基本理论建设的重要资源。
Adorno is against any ultimate definition of ＂beauty＂ from ontological approach and celebrates the ＂not-yet＂ quality of art and beauty. His ideas on the enigmatic quality of art aims at the disenchantment of nature, and his mimesis, an organic view of nature, recognizes and values the ＂being-in-itself＂ of nature, and points to the inter-subjectivity of na- ture and human relation. This author believes that with the advancement of postmodernism and the development of the aes- thetic modernity in China, Adorno＇ s aesthetics will receive more attention from the academic circle and become one of the most important resources for the construction of the contemporary aesthetics in China.
出处
《外国语文》
CSSCI
北大核心
2009年第6期87-92,共6页
Foreign Languages and Literature
关键词
美的星丛
谜语特质
模仿
主体间性
constellation of beauty
enigmatic quality
mimesis
inter-subjectivity
