摘要
宗教理念、哲学思想、道德规范、科学认识模式、语言概念思维、政治意识形态等实际都可以看作是人根据自性中的理性原则对世界的设定,也是对人自身进行异化的手段,只有艺术坚持人类的感性直观、感性敞露、感性显现的原则,在与理性进行永恒的对话过程中,对人类自身的异化进行抵抗,并试图将人类从已然分裂的异化性存在中还归到一种"天人合一"、"万物有情互感"的同一性中。因此,艺术存在的独特性就在于它是人的感性存在,是人永远秉具情感性一极的永恒的确证。不管在什么社会制度或文明状态之下,艺术也会通过不同的形式和表征,无限丰富的生成着,并始终遵循着艺术生成的方式——对话、交互理解、敞明真理,这就是我们所说的艺术的自洽性:自我存在,自我圆成。
Religion, philosophy, morality, science model, language definition, and ideology can all actually be regarded as people's setting of the world according to their natural rational principle, and also approach to alienate themselves. Only art sticks to the visibility, expression and manifestation of people's sense and in the process of the permanent dialogue with rationality, art resists people's self alienation and tries to enable people to return to the oneness of heaven and human from the already alienated existence. Therefore, the uniqueness of artistic existence is that it is people's sensual existence and permanent evidence that the human being always has emotional pole. No matter in what social system or civilization, art will develop endlessly through different forms and expressions and will always follow the way of art development - dialogue, mutual understanding and manifesting truth, which is what we call the self - regularity: self existence and self development.
出处
《艺术百家》
北大核心
2009年第6期132-136,104,共6页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一