摘要
中国山水画的最高境界就是空灵、静穆、飘逸之美,概因华夏山水画艺术的精神境界惟有凭借饱含情感并诉诸直觉体验的禅宗形象体系,才能暗示、象征、启迪、感化接受者,使之真切体悟到意境形象所涵盖的、尚无直接表现出的"心随物游"、"象外之象"、"味外之旨"、"言外之意",从而诱导世人去寻觅那蕴含有生命终极关怀意义的审美价值和艺术自由解放的精神妙境。
The highest ambit of Chinese landscape paintings is emptiness, solemn quiet and graceful beauty. The Chinese landscape painting arts can use the Zen image system to imply the symbol of enlightenment, probation recipient by virtue of the spiritual realm full of emotion and intuition to resort to experience, so that the image of real understanding can be covered by mood. It doesn＇ t directly show the＂heart tour with objects＂, ＂image out of image＂, ＂taste out of smell＂ and ＂implications＂, so it induces people to find the aesthetic value of the ultimate meaning of life care and the spirit realm of artistic freedom and liberation.
出处
《西昌学院学报（社会科学版）》
2009年第4期149-153,共5页
Journal of Xichang University：Social Science Edition
基金
安徽省教育厅人文社科研究项目基金课题(2009SK482)
国家级社会科学基金项目课题(04BZX057)阶段性研究成果
关键词
禅宗哲学
山水画
诗禅情韵
Zen Philosophy
Landscape Painting
Zen Taste
