摘要
《颂歌》是德国著名诗人斯特凡·格奥尔格出版的第一部诗集。关于这部诗集是不是欧洲文学传统意义上的"颂歌",西方评论界素有争议。本文通过对《颂歌》18首诗歌的结构分析,认为《颂歌》继承了欧洲传统的用于礼拜仪式的宗教颂神歌的结构,《颂歌》的仪式化与格奥尔格的艺术宗教密切相关。仪式指明了艺术神圣化的新道路。
Hymnen is the first published collection of poetry of German famous poet Stefan George. Whether this collection is really the traditional hymn of the European literature or not, the Western critics have often discussed. By analyzing the structure of Hymnen this essay draws the conclusion that Hymnen is in the tradition of liturgical structure of European hymn. The ritualization of Hymnen is closely related to the art-religion of George. Ritual points out the way to the new sacredness of art.
出处
《同济大学学报（社会科学版）》
CSSCI
北大核心
2009年第6期1-12,共12页
Journal of Tongji University:Social Science Edition
