摘要
年画娃娃是我国民俗年画的重要表现题材,也是我国具有代表性的民俗符号。娃娃年画的盛行处于民众对于种族繁衍的寄托、化生观念的沿用和对于平民生活情趣的需要,大多出现在神佛、吉庆祈福、文学人物与时令节气题材中,表现形式呈现强烈的程式化和装饰化的特征。
The New Year painting doll is the important subject in China s folk New Year painting,as well as a typical folk custom sign.The paintings of Baby New Year origins from the sustenance of racial breeding and emotional concepts,which appear in the auspicious blessing,literary figures and topics of seasonal solar terms and show a strong performance in the form of style and decorative features.
出处
《怀化学院学报》
2009年第12期91-92,共2页
Journal of Huaihua University