文化折中:黄建新电影的知识分子叙事及流变考察

Cultural Compromise:On Intellectual Narration and Its Evolutionof Huang Jian-xin's Films

流变的知识分子叙事构成黄建新电影与其他第五代影像的明显区分。其间,反讽与包容、现代与后现代调和的文化折中立场既是面向转型语境的缝合策略,也是构成"黄建新风格"的重要印记。但随着社会转型的深入,这种骑墙的文化立场之困境日见突出。这种困境既指向文化上的媚俗陷阱,也同时指向美学上的定型危机。黄建新电影的知识分子叙事面临突围的压力。

One of the distinct difference between Huang Jian-xin＇ s films and the 5th era directors＇ is the continuing concerntration on intellectual theme. Among them, the standpoint of cultural compromise is the sewing tactics on transitional background as well as the important feature of ＂Huang Jianxin Style＂, which reconciles mock and tolerance, and modernism and postmodernism. Along with the deepgoing of social transition, the plight of this cultural standpoint is becoming prominent. This predicament leads to the cultural trap of making up to the masses and the esthetic crisis of falling into a rigid pattern. Huang Jian-xin ＇ s films are confronted with the pressure of breaking out of the encirclement of inflexible intellectual narration .