都市文化与革命诉求——对1930年代聂耳、黎锦晖音乐观念冲突的审思

Metropolis Culture and Revolutionary Appealing——The Musical Conflicts between Nie Er and Li Jin-hui in the 1930s

聂耳与黎锦晖在1930年代初的音乐观念冲突,体现了那个时代都市文化发展方向与革命诉求之间的普遍矛盾。这是"五四"以来新文化运动两种力量即改良的进化力量和进步的革命力量交互作用而造成的。它使中国新音乐观念发生了巨大变化,使革命诉求成为决定新音乐乃至整个都市文化发展的主要因素。从美学形态来看,黎锦晖的音乐体现了现代美学形态;聂耳则靠近古典美学形态,是古典美学形态的革命性替换。审思这场冲突所获得的启示是,当代中国都市文化建设必须处理好与时代精神的关系,不能以一成不变的观念理解不同时代精神;当代中国都市文化要渗透时代精神又不能为其所取代;要以反思的姿态弘扬现代美学形态,创造能够体现社会主义和谐社会要求的当代中国都市文化。

The musical conflicts between Nie Er and Li Jin - hui reflect the developing direction and revolutionary appealing of metropolis culture, a result of mutual interaction between progressing force and revolutionary force. Revolutionary appealing became a main factor of determining the new music and the developing direction of metropolis culture. In aesthetics, Li＇s music has more modernity while Nie~ is close to classic music. The revelation is that relationship between metropolis culture and the spirit of times must be dealt with well. The contemporary metropolis culture that can reflect socialist harmony must be created.