摘要
分析了古典建筑砖石雕刻艺术趋于内向性空间诉求的吉祥语意系统,指出其具有的独特性与民族性,阐述了中国传统哲学文化意蕴的"民族性"吉祥寓意诉求的建筑空间特性,对古典建筑砖石艺术所形成的自身文化机制及其历史的、文化的、动态的发展历程进行有条件的梳理、检视和细密分析,强调了吉祥文化意蕴的空间观念和空间意念转换历史动态的建筑艺术形式。
Classical architecture brick carving used the artistic approach such as visual image. This article analyzes the auspicious meaning system which tends to appeal inner space. And then the article points out that it has considerable uniqueness and national identity. What's more, the article expounds China's traditional philosophy and cultural implication of "nationalism" auspicious allegorical aspirations of building space features building blocks of classical art formation mechanism of their own culture and its history, culture, and dynamic development process under certain conditions in order, review and meticulous analysis, and emphasizes the auspicious cultural implication of the concept of space and space for ideas to convert the historical dynamics of architectural art forms.
出处
《沈阳建筑大学学报(社会科学版)》
2010年第1期47-51,共5页
Journal of Shenyang Jianzhu University:Social Science
基金
2009年江苏省教育厅高校哲学社会科学基金项目(09SJB760008)
关键词
古典建筑
砖石雕刻
吉祥文化
classical architecture
brick carving
auspicious culture