建国后天安门场景油画作品解读——蕴含在作品中的观念差异

The Interpretation of Oil Paintings of Tian An Men Square after the Founding of PRC——Different Attitudes in Thought

天安门广场,这个带有国家标志性的建筑,为近现代中国的艺术家一再描绘。如董希文的《开国大典》、孙滋溪的《天安门前》、岳敏君重画《开国大典》、田永华《把无产阶级文化大革命进行到底》、张晓刚《天安门》、艾未未《天安门》、章剑《天安门系列》等,同一场景呈现出多种表现形式,也呈现了不同时代的不同观念。

Tian An Men square, as a national landmark building, has been painted again and again by modem Chinese artists, for instance, The Ceremony of Open The Country Door by DONG Xi-wen, In Front of Tian An Men square by SUN Zi-xi, Tian An Men Square by ZHANG Xiao-gang, Tian An Men Square Series by ZHANG Jian and so on. The paper begins to describe the paintings of Tian An Men Square, then analyzes different social backgrounds of the paintings and exposes difference attitudes in thought of the artists.