越调《七擒孟获》的风格特征——兼论河南越调的发展趋向

The Stylistic Features of Capturing and Releasing MENG Huo Seven Times——On the Tendency of Development of Yuediao Opera in Henan Province

越调《七擒孟获》是申凤梅生前排演的最后一部"诸葛亮"戏,其风格归于内敛蕴藉,并引领了越调未来的走向。这种风格特征一是得益于唱词内在的张力,二是得益于对角色内心世界的深层开掘。

The Capturing and Releasing MENG Huo Seven Times of Yuediao Opera is the last opera on role of ZHUGE Liang played by SHEN Feng-mei. The style is refined and rich, which leads the future trend of Yuediao Opera. The stylistic features benefit from not only the tension in the libretto but also the profound comprehension of the inner world of the roles.