摘要
文艺复兴运动高举人性旗帜,质疑漫长中世纪的神性理论;爱情因对人文主义思想的集中体现成为文艺复兴时期诗歌的主题之一。兴起于17世纪的玄学诗凭借独特的叙述视角和开阔的创作视野,积极参与到解读爱情和人性的文学大军中。从诗歌构成的两大要素意象和语言入手,结合叙事学的声音和视角理论以及接受反应理论的相关知识,探究了玄学爱情诗在英国诗歌发展史中肩负的历史传承和开拓创新作用。
The Renaissance ushered in the hail of supremacy in Man over God, as a full embodiment of which love occupied a thematic seat in Renaissance poetry. The 17th century witnessed the emergence of the metaphysical poetry whose unique narration and horizon added beauty and force to Renaissance songs of love and humanism. Based upon the textual studies of images and linguistic features, this paper probes, in combination with relevant theories of narratology and receptionresponse, into the bridging function of the metaphysical poetry in the British literature.
出处
《周口师范学院学报》
CAS
2009年第6期49-52,共4页
Journal of Zhoukou Normal University
基金
漳州师范学院科学研究资助项目"17世纪英国玄学诗的叙述艺术"(SS07014)
关键词
玄学爱情诗
意象
语言
独特叙述
传统
现代
metaphysical love poetry
images
linguistic features
unique narration
tradition
modernness