“戏仿”的喜剧性动因与创造性建构——以中国当代影视喜剧为例

The Comic Motivation and Creative Constructing of "Parody"——A Case Study of Contemporary Chinese Comic Movies and TV Series

本文以中国当代影视喜剧为例,阐明当今广为流行的超文现象"戏仿"的审美特征与功能:它采用戏谑夸张的滑稽摹仿方式,在仿本之内以及仿本与源本之间造成多重背反性矛盾的叠加,同时这些背反性矛盾又因有悖于常规常情而造成接受主体理性规范的移除和审美心理的反弹,由此形成了独特的喜剧性审美效应。戏仿具有解构与建构的双重功能,其创造性主要体现在多文本杂揉的狂欢体风格,并在戏谑不恭的无厘头表象下表达出现实关怀和平民意识。

Taking contemporary Chinese comic movies and TV series as examples, the paper elaborates the aesthetic features and functions of the popular phenomenon of parody. By means of exaggerated and humoristic imitation, it brings an accumulation of multiple opposite contradictions between imitative text and original text or among imitative texts. Meanwhile, the absurd contradictions lead to the detachment of criterions and the rebound of aesthetic feeling and then create a unique comic aesthetic effect. Parody has two functions ： deconstruction and reconstruction. Its creativity is mainly embodied in the orgiastic style of multi -texts and expresses the realistic concern and the consciousness of common people in the deceptive cynicism.