“闺怨诗”和“思妇诗”考辨

An Exploration of "Boudoir—Plaint Poetry" and "Lovesick Woman Poetry"

在古代文学学术界,"闺怨诗"和"思妇诗"这两个概念经常出现,很多学者出现了错用、滥用现象。"思妇诗"和"闺怨诗"不能一概而论,前者的覆盖范围要远远小于后者,魏晋南北朝时开始出现兴起的闺怨诗都可以看作是在《诗经》中思妇形象的影响下成长起来的一类诗歌。

In the ancient academic circle, ＂boudoir-plaint poetry＂ and ＂lovesick woman poetry＂ were often seen, but there were misuse of these two concepts. In fact, boudoir-plaint poetry and lovesick woman poetry cannot be treated equally in that the former covers much larger scope than the latter. Boudoir-plaint poetry, which appeared first in Wei, Jin, Northern and Southern Dynasties, can be considered as a type of poetry developed under the influence of the lovesick woman image in the Book of Poetry.