跨进21世纪的音乐人类学:国际潮流与中国实践

Ethnomusicology into the 21st Century:International Trends and Chinese Practice

本文讨论当代音乐人类学的理论范式转移及其在20～21世纪之交的国际潮流和研究路向,梳理归纳出该学科这一时期的主要论题并结合中国实例说明它们跟音乐实践和研究的关系以及当代理论的应用。所举实例包括作者长期考察研究的福州游神乐舞、海南儋州调声、黎族民俗音乐、西北花儿等。作者还针对国内人类学界和音乐学界的有关现象进行反思,提出自己的批评和见解,涉及民族、族群、民族主义、国家主义、跨国主义等术语在英汉对译上的错误与误读以及由此导致的学术表述和研究中的混乱、伪民俗现象以及对待非物质文化遗产的态度与做法等问题。

Through cases of his own fieldwork and research into Chinese music, the author discusses a paradigm shift in the study of ethnomusicology in the late 20th century, stunmarises international trends around the turn of the century, and examines relevant practices in China during this period. The cases include musical performance for religious parades in Fuzhou, indigenous music of Hainan, and the ＂hua＇ er＂ songs in the northwest. Issues dealt with include misunderstanding and misinterpretation between Chinese and English temfinologies and concepts, and misuse of intangible cultural heritage.