摘要
1946年12月,欧阳予倩参加"新中国剧社"赴台湾演出,由他导演的《郑成功》、《日出》、《桃花扇》等轰动台北,成为台湾地区戏剧史上的盛事,也是海峡两岸文化交流的一件大事。这次演出不仅促进两岸的话剧交流,而且推动了台湾话剧和大陆戏剧运动的发展。"新中国剧社"赴台演出,促使沉寂多年的台湾剧运与大陆开始汇流,将海峡两岸中华民族戏剧的血脉更紧密地联系在一起。
Ouyang Yuqian made a tour in Taiwan Province with the New China Troup and three of his plays, Zheng Chenggong, Sunrise and Peach Blossom Fan, in December 1946, making an event in the history of performance there and promoting exchanges among"spoken drama" artists across the Taiwan Straits. The spoken drama movement in Taiwan began to be connected with that on the mainland after a long period of isolation.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2009年第4期57-65,共9页
Drama:The Journal of the Central Academy of Drama
关键词
欧阳予倩“新中国剧社”
台湾地区文化交流
Ouyang Yuqian, the New China troupe, Taiwan Province, cultural exchange