摘要
元曲家在使用宫调时的习惯具有规律性,创作散曲与剧曲时对宫调的选择又有很多的相同点和不同点,每一位曲作家在自己的创作过程中又形成了自己的特色,探讨这些问题,正是从音乐与文学相结合的角度研究元曲的基础。
The Yuan Dynasty dramatists formed their own patterns in choosing gong diao (mode). These patterns show both commonality and differences with za ju and san qu, and with different composers. Discussions from this perspective are essential for our efforts to combine our musical and literary studies of the Yuan Qu-opera.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2009年第4期77-83,共7页
Drama:The Journal of the Central Academy of Drama
关键词
宫调
元杂剧
元散曲
运用习惯
gong diao, za ju of the Yuan Dynasty, san qu of the Yuan Dynasty, pattern of mode selection