京剧文学雅俗共赏特色的生成——以曲词为例

The Formation of Aesthetics in Beijing Opera Literature

本文从曲词入手,将曲牌体转换为板腔体的曲词形态变化、花雅争胜时期不同审美需求对曲词形态的争议进行剖析,尤其着重探讨了清代宫廷、雅士文人、市井百姓三种力量在京剧文学基本形态上的角力和妥协。入于微观,发乎宏观,系统阐述了京剧文学雅俗共赏特色的历史生成与基本面貌。

In his exploration of formal changes of lyrics in Beijing Opera when the music transformed from qu pai to ban qiang, and of the competing demands on lyrics adaptive to popular and court/refined music, the author discusses the role of and the negotiation among the court, the literati and commoners in determining the literary form for Beijing Opera, a process by which Beijing Opera became appreciated by both highbrow and lowbrow.