朱载堉《乐律全书》中舞谱与合乐谱的研究

Study of Dance Notations and Music Scores in Theory of Tone-system by Zhu Zaiyu

本文以朱载堉《乐律全书》中大量的舞谱和合乐谱作为研究对象,分别介绍了朱载所编制的六种舞谱,探究了舞谱动作设计的规律,包括六种舞谱动作设计的异同、舞蹈动作的特点、舞蹈动作的含义,其中舞蹈的特定含义还分别表现在舞蹈动作上、学舞的缀兆图上、舞谱中的致语上和舞蹈中所用的舞器上。笔者希望通过这样的探究,对古代最重要最完整的舞谱资料有新的认识,有宜于当代舞谱的发展。

Based on large amount of dance notations and music scores recorded in Theory of Tone-system by Zhu Zaiyu, the essay analyzes six types of dance notations edited by Zhu Zaiyu, exploring the law of movement creation in dance notations, including the similarity and difference among six types of dance notations as well as features and meanings of movements. The specific meanings of dance are revealed in movements, pictures showing how to dance, explanations in the dance notation as well as props used in dances. The writer hopes to offer new insight into the most significant and complete literatures of dance notations through such exploration, benefiting the development of contemporary dance notations.