摘要
中国民族民间舞蹈的创作不仅要尊重、把握民族民间舞蹈的风格,而且要在此基础上进行自己的编织与整合,在提取民族民间舞典型风格的同时,还要进行自己个性化舞蹈的编创。本文论述了编导面对风格迥异的民族民间舞蹈素材,如何对舞蹈材料进行取舍、剪裁、重组、编织。以"个性化"为核心论点,论文涉及创作基础、创作要素、创作原则以及编创的基础条件和编创过程等。
The choreographers of Chinese ethnic and folk dance should not only respect and grasp basic styles of folk dance, but also weave and integrate elements in their own way. At the same time, they should focus on their unique personal style when choosing from different dance styles. This paper deals with how choreographers select, clip, re-arrange and weave materials among the vast ocean of various dance forms and styles. With "individualization" as the central argument, it ranges over choreography basis, elements, principal, the primary conditions and procedure of choreography.
出处
《北京舞蹈学院学报》
北大核心
2009年第3期67-70,共4页
Journal of Beijing Dance Academy
关键词
个性
个性化
个性化语言
创作要素
创作原则
individuality
individualized language
choreographing elements
choreographing principals