摘要
离别是一种独具中华民族文化特质的人际传播和精神交往方式,蕴藏着深刻的社会心理内涵,成为了中国文学中一个独特而永恒的母题。江淹《别赋》展示的人际传播中离情别绪的7个图景,就是对这一题材的审美掌握和艺术表达,是其真实的人生经历与内心体验、特有的精神取向与生命意识的形象外化。
Farewell is a way of interpersonal communication and spiritual intercourse with Chinese cultural features, which contains profound inner meaning of social psychology, and becomes a special and perpetual topic in Chinese literature. Jiang Yan's 《Farewell Ode》shows seven scenes about the farewells in interpersonal communication. It is an aesthetic grasp and an art expression towards this topic, and is also the exteriorization of the author's real experience, inner emotion, peculiar spiritual inclination and life awareness.
出处
《湖南大学学报(社会科学版)》
CSSCI
北大核心
2010年第1期156-160,共5页
Journal of Hunan University(Social Sciences)
关键词
伤离恨别
人际传播
审美掌握
文学母题
《别赋》
sentimental farewell
interpersonal communication
aesthetic grasp
literature motif
Farewell Ode