摘要
事物有美也有丑,美与丑的存在决定了人们审丑和审美意识的产生。就汉画"无盐丑女钟离春"来看,中国人受儒家、道家审丑思想的影响,对形式的美与丑并不看重,看重的是寓形之中的"德、神、义",这种审丑思维意识对于我们今天衡量事物的美丑,有一定的借鉴意义。
Everything has both sides of beauty and ugliness, and the co - existence of both sides determines the emergence of people＇ s aesthetic and ugliness appreciations. By observing the image of Zhong Lichun in the stone gravings of Han Dynasty, we may find that Chinese aesthetics is greatly influenced by the thoughts of Confucianism and Taoism. Therefore, the formal beauty and ugliness receive little attention. On the contrary, the morality, divinity and righteousness residing in the form are emphasized. In this case, the idea of ugliness appreeiation has referential significance in today＇s aesthetics.
出处
《南阳理工学院学报》
2009年第5期1-4,29,共5页
Journal of Nanyang Institute of Technology
关键词
汉画
丑女
审丑
思维
Stone graving of Han Dynasty
Ugly woman
Ugliness appreciation
Thoughts
