南宋绘画风格探析——从团扇面与花鸟画谈起

The research on painting style of Southern Song Dynasty——To begin with the circular fan shape and Flowers and Birds painting

在中国绘画史上,团扇扇面形制和花鸟绘画题材同时在宋代兴盛开来,两者之间具有相互促进发展的作用,又共同促进了南宋"边角之景"绘画图式的形成。而且北宋画家便具备了"以小观大"艺术思想和表现能力,"边角之景"的出现可谓水到渠成。"边角之景"又带来了"大斧劈皴",形成完整的南宋山水画风貌。这种绘画风格并不是特殊的时代产物,更不是"残山剩水"的政治写照。

In the history of Chinese painting, the circular fan shape and subject matter of painting flowers and birds at the same time open to thrive in the Song Dynasty, between the two have a mutual development, and jointly promote the Southern Song Dynasty, ＂ King of the Comer＂ -style drawing plans to form. And the Northern Song Dynasty painter would have a ＂great view of the small＂ ideas and artistic skills, ＂ Part of the landscape ＂ is the emergence of home. ＂ Part of the landscape ＂ and brought ＂ Large cracked Fupi ＂ to form a complete outlook of the Southern Song Dynasty landscape painting. This style of painting is not a special product of the times, but not a ＂ Canshanshengshui ,＂ a portrayal of the political.