摘要
在中国花鸟画的发展过程中,一代又一代画家经过艰辛的探索,逐步形成了一套较为完整的构图样式。随着东西方文化的广泛交流和共融,在构图形式上吸收西方的构成概念,从而把抽象意识运用到构图中,会对当代中国花鸟画的创新起到积极的作用。
In the course of the development of paintings of flowers and birds in traditional Chinese style,artists generation after generation gradually formed a comparatively complete set of painting layout after painstaking explorations.Paintings follow the time and so does the form.With the extensive communication and communal combination between the Oriental and Occidental cultures,the Occidental layout concept should be absorbed so that abstract consciousness can be applied into the layout of paintings,which will play an active role in the innovation of contemporary paintings of flowers and birds in traditional Chinese style.
出处
《咸阳师范学院学报》
2009年第6期111-112,共2页
Journal of Xianyang Normal University
关键词
传统
构图
形式
构成
概念
抽象意识
tradition
the layout of a painting
form
construct
concept
abstract consciousness