摘要
近年来,西方环境美学理论成为中国学者关注的热点,在引进及阐释西方学者的观点的同时,我国学者也开始反思和发掘中国传统文学文本中蕴藏的环境美学思想。柳宗元《渔翁》诗中"欸乃一声山水绿"这一美学命题,即展现了人在环境中活泼生动的审美体验。通过对"欸乃一声山水绿"命题的历时性和共时性阐释,即可以看出环境审美欣赏的"移情模式"和"知己模式"在审美活动中的影响及意义。
In this paper, I will take western environmental aesthetics as a starting point and then focus on Liu Zongyuan's landscape poetry The Fishman. One of the significant sentences, "the natural environment becomes inspired immediately when people sing the songs", contains plentiful environmental aesthetic thoughts. To demonstrate the lived aesthetic experience of people in the environment is trying to set up two aesthetic appreciation of environment models, namely, empathetics model and confidant model. Besides this, I also manage to explain the origin and development of this proposition in order to describe it in history. In the end , I sum up the influence and effect of empathetics model and confidant model in environmental aesthetics appreciation.
出处
《齐鲁学刊》
CSSCI
北大核心
2010年第1期133-136,共4页
Qilu Journal
关键词
“欸乃一声山水绿”
环境美学
环境审美欣赏
移情模式
知己模式
"The Natural Environment Becomes Inspired Immediately When People Sing The Songs"
environmental aesthetics
the aesthetic appreciation of environment
empathetics model
confidant model