摘要
二十世纪八十年代,中国的先锋戏剧明显受到了西方文化思潮以及西方戏剧观念的影响,同时探询中国先锋戏剧的民族品格。由于彼时中国特定的国情,决定了此时的先锋戏剧多从"人"出发,对人性进行探讨,对普通人的焦灼生存状态和人的精神世界的多面性进行展示,从"人"、异化、心理、社会批判四大基点出发,在思想层面形成明显的主题性特征。
In the eighties, under the influence of Western cultural trend and Western theatre, Chinese avant - garde drama sought its' national characters as well. As a result of Chinese specific national conditions at the time, "man" is the starting point of Chinese avant - garde drama. The drama devoted to explore human nature and present anxious survival conditions of ordinary people and versatilities of people' s spiritual world. From the "man", alienation , psychology, social criticism of the four starting points, Chinese avant - garde drama formed distinct features of thematic treatment in the ideological level.
出处
《兰州学刊》
CSSCI
2010年第1期192-198,共7页
关键词
“人”
异化
心理
社会批判
people
alienation
psychology
social criticism